More writing news

Following on from a previous post about what I want to write, there has been things happening in the womag land. Remember I said that I wasn't going to write for Woman's Weekly anymore? Well, it has transpired that there has been restructuring going on (rings a bell for me) and the whole fiction team have now left and replaced with one person, who people believe is a freelancer. They are not taking any new submissions at the moment, only stories from their regular contributors, until they are on top of things. I know this has upset a lot of people. I feel sorry for all involved; the fiction team and the contributors who had built up a relationship with them. I had met the fiction editor a few times when I had gone to workshops, and she was so nice. This now means that there is one less magazine out there that takes fiction.

So, what am I doing about it? I am finding other markets. I had already heard of one magazine based in South Africa that took new writers, so have sent a story to them and am waiting to hear if they will publish it as the editor has said she wants to keep it for possible use. Sounded promising. Am working on another story for that magazine. Have discovered a couple of other markets and will submit a story to one and an article to another; the latter takes stories and non-fiction about animals. My kind of magazine. Also, have decided to enter another story competition. I know which story I want to work on for that, one I have already written but needs a bit of an edit.

I will be working mainly on my children's books first, with the odd story now and then when I have the time.

So, when things like this happen, it is good to have a Plan B. Find other markets to send to. Other ways to make money.

Another major writing decision

Following attending both the short story and serial writing workshops by Woman's Weekly the last week or so, I have made another major writing decision - I want to become a writer for Woman's Weekly and concentrate on those when I write in the afternoons. This is my time for writing projects I want to get published and not being an indie author.

Here is why I have decided this:

I had gone to a workshop last year by Woman's Weekly and got great ideas for stories but didn't think much about it afterwards. I went to a fiction short story workshop on Monday 27 October this year, and had a breakthrough, thanks to Della Galton telling us her formula for writing a story. One of the things she said was that the character had to have a big enough problem to be solved. I realised that this was why I had got stuck with the story I'd been rewriting for the magazine. I also came up with the beginning of another story and the plot for it, also to send to them. I came away so charged up with what I'd learnt that I wanted to write stories for them. I have since changed the story again and just rewritten the beginning of the story I have been working on because yesterday I realised that it had nothing to do with the rest of the story.

Then yesterday I went to Serial Writing and had such good lessons by Suzanne Ahern who writes serials for them regularly. I already had in my head an idea for a serial. I wrote the start of it, developed the characters and plot for it, all things that had been going around in my brain. I was so pleased to get them on to paper. I enjoyed it so much that I now want to write serials. I think one of the reasons is the money you get for each instalment. You can get £500 per episode. So if you wrote a 3-parter serial you would get £1500. So I am going to think of it as a business side from now on and write in the means to be paid, which I hadn't until now. 

Another reason why I want to write for Woman's Weekly is that I've now met the Fiction Editor, Gaynor Davies, a few times and she is such a warm, friendly and encouraging editor to us writers. She said that she would come up with the titles, so don't worry about that. And she works with the writers on their stories and serials. That is the type of editor I want to work with. So watch this space to see what happens. I plan to email Gaynor later this week with a brief outline to my serial I have planned.

Woman's Weekly Fiction Workshop - What I learnt about how to write for them

On 7 June I went to Southwark Street in London (near London Bridge) to a workshop by Woman's Weekly. I had recently had a story rejected by them so wanted to find out what they look for. Here is what I learnt.

They publish/write for all walks of life. The stories are information and entertainment but not shocking. They accept a variety of stories, but not horror with blood etc and no sex - has to be behind doors.  Crime has to be done off stage if it is a crime story. Mystery/crime still has to have warmth, think cosy crime.  Characters have encounters that changes lives. Characters have to have a problem. Don't get too attached to your story as you might decide to change things.  The one question you should ask yourself, and what I now think when I want to write for them is Is this likely? If it's no, then the reader won't believe in it, if yes or could be, then reader will and they could accept it. This is why my story was rejected. It was magical realism and wasn't likely to happen in real life. Your story mustn't be too tame or predictable either.  For weekly issue they accept stories of 1000 and 2000 words; for the specials they want anything up to 8000 words. Hurrah for me, as I like writing long short stories that length.

Serials
Room for experiements. Strong plots. Each part has to have a cliff hanger at end of it. Have authentic background (real life again). Don't let background be story. Fairly happy endings. Character is essential. Write their background so they can appear to behave consistently.
Style/language not too matter of fact. Not overwritten with too many words. Cross out too many adverbs eg like that. (I thought oh dear, I know I do that.) No repetition, stating the obvious. Don't sign post things.

Rejection - as I said above, has to be realistic for the reader to get lost in the story. If it isn't, you have lost that reader. Know your market. Write in your own voice. Be nosy.

We had an exercise next. Write an opener about a letter. I couldn't think what to write, then read the exercise sheet where it said think about what happens later in the story. So I did, remembered a story I had in mind to write and wrote the opener. We all had to read our exercise out. Gaynor Davies said they were all good.

I learnt that WW stories gets to dilemma in the first sentence.

That is all for now. Back again with more about serials etc next week.