How to stay in control of your story by Jean Fullerton

On Saturday I went to Marylebone to the RNA SE chapter meeting to listen to a talk by Jean Fullerton about how to stay control of your story esp romances. Here are the main points I wrote down:

1. It is about structure. You have to have a structure to your story.
2. You need an inciting moment
3. Then rising action
4. A turning point and black moment (doesn't have to be the main character's)
5. Lastly, falling action leading to the resolution

If you get stuck (usually about either Chapter 5 or 8), try going back to the start of the story and read it.

Ask what your main character's motivation/goal is.

If you want to include back story, drip feed it in, not do an info dump.

If you write in a certain genre or time period, readers will expect the rest of your books to be like that. Don't disappointment them.

It had been my first time to a chapter meeting this year, and I enjoyed it. Esp as I met a friend of mine there and we chatted as we walked back to the tube station. Might go again next time.

Next post will be about what the venue was like for an Aspie (me).

Change in my writing goals

If you have been reading my recent FB posts, you will see that my writing goals have changed over the last week. One of my new year goals was to write pocket novels for My Weekly, and I have now decided that this isn't what I really want to do and what I can't really write, after all. Here is why:

Earlier this year I finished the pocket novel I had been writing and had sent a partial of to the RNA's New writing scheme for feedback. I sent it to my editor, who I know is v honest and truthful about my writing. It came back last week via email with lots of comments in the email itself. I've not read the actual edits yet. What the email said was that the ms was too flimsy and not good enough for a pocket novel, which I knew deep down myself. I emailed my editor to ask this of her, and she replied, yes, it's not good enough, but don't waste it. It made me realise that I can't write proper romance, only magical realism with a hint of romance. So, that writing goal has been deleted from my plans. I am going to continue writing the Geraldine's Gems and Singleton stories which are all magical realism with a touch of romance in, as I feel I can write those and I enjoy writing them. Just writing those last few words has also made me realise that I didn't really enjoy writing the romantic part of the pocket novel but I did enjoy writing the mystery bit.

I am continuing writing short stories for womags as I enjoy writing those. My main writing goal now is to be known as an indie children's author, esp about hope and Asperger's.

So, that is the change in my writing goals. The mss I still have upstairs in the cupboards I am keeping and will read them at a later time to see if they can be either made into children's books or serials for womags. So, not wasted.

My motto now is: write what you enjoy doing and what you know you can do.

Writing goals for 2015 - how I did.

So, 2015 is nearly at an end. Where did that time go? I can remember a few of the goals I set myself to do this year, and here is how I did.

1. Get 5 short stories accepted by women's magazines. Not done yet. I have three out there with two magazines, have completed another and about to finish another.

2. Publish the last in the 'Guardian Angels' series. Tick. I did that earlier this month. Out now on all platforms.

3. Publish the last in the Geraldine's series. Not yet. Plan to do that next year.

4. Publish the last of the mermaid stories. Not done yet either. Again, next year.

5. Become a full member of the RNA. Feel I'm on the way to it as I submitted an ms to the scheme this year, and am working on revising it now. Plan to get it edited next year and send to My Weekly Pocket Novel.

So, what goals did you manage to do this year? And what ones are still to be reached? Let me know.

Social Media by Talli Roland

Last Saturday I went to the London/SE chapter of the RNA. The talk was on Social Media by Talli Roland. Here are her main points.

You should be on the sites where your readers are. So, if they are on FB, be there. If they are on LinkedIn, then be there.

Facebook
Readers can expect you to be there 24/7. Build a core loyal readership. Join forums. You can find different readers in topic groups eg if you write a romance that also has knitting groups in, then find a FB group about knitting.
Don't do too much promo on your profile page, do it on your author page.
You can boost your page. When you do, choose friends and friends of friends. It costs £10. You can see how many see and share your post. And you can get 3000 per click.
When it comes to choosing friends, look at 'mutual friends'. If it's low, then don't friend them. Be positive.
On your author page, you can click on the icon at the top of the page called 'shop now' and you can put a link to your books on Amazon etc. Or you can put a link to your newsletter - that was something I added to the talk.
When you get a certain no of followers, you can't change your name. And on your profile page you have to have your real name or FB might check up on you.
Make your followers feel special and your posts useful.

Twitter
Find content that relates to your book and tweet. You can put on there the first line and last line of chapters. Post pictures of the locations in your book (made a mental note to do that in future). Take photos of where it's set.

Blogging
Still good to do.
For readers - have photos, keep it short and turn off the verifications.

I shall write part 2 on Sunday when it goes into Amazon and other sites that are useful.

Reading out work as an Aspie

I thought I would go back to reminding people that I have Asperger's Syndrome. There are two reasons for this.

1. There was a post on Facebook the other day from a fellow children's author, which was really a chain post. I had seen that others had taken her up on it and posted it on their status update, so I did the same. Boy, I didn't realise what sort of comments I'd get. A couple of people had a go at me for doing it, esp as an author. Then someone I know via another business we'd been in had a go at the others for having a go at me and saying that I had AS so don't have a go. (Thanks, Rebecca). I think because of my AS, I didn't really take notice of the nastiness of the comments, and I just thought to myself, why have a go at me when others have done the same. I am no longer going to take part in that sort of post again. So, if you leave a comment on my post, please make sure that it is clear in intent and not nasty. I might not realise what it actually means, otherwise.

2. Some weeks ago, we recorded the TV series 'The Autistic Gardener', and we have just started watching it at lunchtimes. I find it interesting to watch others like me, the first time I have seen other adults with AS on TV. I watched the second episode yesterday (I think) and something in it I really related to as an author. One of the young men, Thomas, couldn't tell the couple who owned the garden what his ideas were. I so related to this when I have had to read out my writing to a group. I have learnt to over the years but I still get nervous, and when it comes to my turn, I feel my hands go clammy and my heart race. Then when I do speak, I talk fast.
This goes back to when I was at Primary School. I remember writing a short story based on a true incident. The teacher asked if I wanted to read it out to the class and I said no, and she read it herself. That has always been the way with me through Secondary School to work to writing groups. Having been a member of the RNA and gone to their chapter meetings where we have had to talk about ourselves and read aloud, I have got better at it, but still not completely OK with it. As another writer said to my post about it, it's like baring your soul. Yes.

New writing goals

I have recently decided to have two different writing goals for next year: 1.Write serials for either Woman's Weekly and/or The People's Friend. 2. Write pocket novels for My Weekly. Here is why I have now chosen these goals, esp the latter one when I know I previously said I didn't want to write pocket novels.

I have been working on a first instalment of a serial for The People's Friend serial writing competition, and I really like doing it. You have to write the outline first to work out where the story goes, which I did for the competition. I have lots of ideas jotted down for novels, so next year I might go through them to see which ones, if any, can be used as a serial instead. I have found I really like writing romantic mystery stories, which is what the story I'm working on is about.

I have also been working on a novel, which I originally wrote in 2010, that I want to be a My Weekly pocket novel. I have submitted this already for the RNA's New Writing Scheme. I have a couple of chapters left to read through and possibly work on, then I will let it rest until I get my critique from the RNA. I have a few mss up in my bedroom wardrobe that I had sent to the RNA over the years and not done anything with, and I now think could be worked as pocket novels. So, my plan next year is to work on one of those alternately with an Aspiekid book. There are two reasons I now want to write pocket novels. They are: 1. If you get a pocket novel published, you can then later on get it published with a mainstream hardback publisher who sends it to the libraries. If this happens, you can then apply for PLR. Another opportunity to get money for your writing. 2. If you get a pocket novel published by My Weekly, there is a chance that you can get short stories accepted by them, too. This is the only way I know how to write for My Weekly, as they don't take stories otherwise, only from their established writers.

Along with these two goals, I am going to continue writing and sending short stories to womags. I have yet to get an acceptance this year so far, so my goal for this year possibly won't come to anything. Roll on next year.

Research for historical novels

Last Saturday I went to another chapter meeting by the RNA. The speaker was Jean Fullerton, who writes a series about nursing before the war and the NHS. Jean is a district nurse herself, but has to do research. Here is what she does:

She first gets the background of the area, and has a map of the area her novels are based in. This came from a little book called the A to Z Atlas Guide to London and Suburbs. It includes all buildings dated back before the war and old and new street names. She said she got it from Amazon but I am still searching for it as I want to have that book to use for my own historical stories I want to write.

She reads biographies, and has read lots of biographies of nurses back in the war.

She said you have to get a feel for the story. You've got to have the attitude, and your characters have got to have the mindset of the period you are writing in. They have got to understand what is going on around them at that time. They have got to be someone who is progressive in their times. Still have an education, even if it was by the vicar and Sunday School.

Jean has got books with photos of the area. These include how people lived at the time, and were bought from Shire Books (made a note of the website so I could look them up for my own reference).
Jean also found a calendar of that time. She also has magazines and papers from that time, inc a Woman's Own. She also had a print out of BBC radio programmes. Did you know that radio programmes finished at 11pm, so you couldn't work out how the characters knew it was midnight?

I found this very helpful and now know what I need to know and do when it comes to writing the series of short stories I have for Bea's family, who are in the 19th century. First stop is to find that A to Z and look up Shire Books. Thank you, Jean.

The goal posts have changed

Remember in the new year I said that one of my goals was to write Pocket Novels? Well, that goal has now changed. I am still writing the current one, which I plan to send to the New Writers' Scheme of the RNA, but after that...I have other plans to work on now.

Over the last year I have been giving talks at a local library about ebook publishing and being an indie author. I have really enjoyed doing these, realising that I like helping and inspiring people to get writing and marketing and being discovered. Then earlier this year, I gave one talk to one woman who was very inspired by what I told her, and I hope that she got back to writing after I talked to her. This got me thinking. I already have a website to help new authors, esp indies, get writing and discovered, www.hopewithjulie.wordpress.com, I thought I'd like to take this further. I'd like to help authors personally, maybe with 1:1s. Last year I met a new author who wanted someone to help him get his story made into an ebook. At the time I wasn't keen and was busy with other things going on, and I said no. But this year, he is still wanting help as he is a novice and he is now my first client.

So, my new plan is building up a service of 1:1 mentoring for new authors, and helping other authors get back to writing, with a charge, of course. I have already chosen to use Wednesdays and Saturdays as my biz days, with the rest of the week writing ebooks and short stories.

So, if you are a new author, esp thinking of becoming an indie one, then check out my website link above. There is a contact page on there. You can also message me on Facebook if you are interested. I have 2 friends I am going to help on Saturday, and another two people possibly contacting me from people I have met at the library; my client and one of the librarians.

I'm no longer a tortoise

Bet that got your attention? Well, it beats saying, 'I've come out of my shell.' Get it now? lol So, what do I actually mean when I have come out of my shell? I shall explain with what a friend said to me last Saturday at a writer's talk.

As you all know by now I have Asperger's Syndrome, so I find it hard to communicate in groups and with new people. Well, my friend Marjorie, a fellow romance author, who I've known for years since I joined the RNA said this to me. She was pleased that I have come out of my shell. She said that when she first met me, it was really hard to get me to talk. She described it as trying to get blood out of a stone. I had to laugh. I knew what she meant. Now that we have been friends for years, I can chat to her without a prompt. I said it was down to my AS. When I meet people for the first time, I find it hard to talk to them. Once I start getting to know them, and do so over time, I find it easier to talk, and esp if they are writers - like-minded people. I find it easier to talk to people after I've known them for a time, and if they do and enjoy the same things I do, mainly writing.

So, I have come out of my shell, and no longer a tortoise or turtle.

Why I'm pleased I set up my new marketing website

Last Saturday I went to a panel talk held by the RNA on genre writing. Janet Gover asked most of the questions to the panel who were: Alison Morton, author of the Roma Nova novels about alternate history; Christina Courtney who writes historical, time-slip and YA for Choc Lit, and Monica Fairview who self-publishes books inspired by Jane Austen. I enjoyed listening to how they write what they do and why, but a couple of things happened that made me smile a lot. Christina (real name Pia) said that she is now going to self-publish her YA books because her publisher is not going to publish that genre anymore. Also, another author said in her introduction that she is going to press the 'print' button shortly with her first self-published book. That was number one that made me smile. People are still wanting to self-publish their books.

The second thing happened after the talk. Pia wanted to ask me a question. Me? Yay. Unfortunately, I couldn't answer it because she wanted to know about formatting with headings, which I have yet to do. Alison suggested to hire someone to do it for her. The following morning I messaged Pia on Facebook with other suggestions, which she said she'd look in to.

The third thing was shortly before I was about to leave, the other author, Linda Chamberlain, who said she is going to become an indie author, asked me for the link to my new website. I wrote it on the back of a postcard she had picked up at the talk. I do hope that the website matches people's expectations. The website is all about helping new authors get discovered with blog posts about marketing tips and strategies and guides about marketing. It can be found at www.hopewithjulie.wordpress.com.

Grammer and punctuation in dialogue - a RNA talk

Yesterday I went to a RNA meeting in Holborn, where the talk was by Elizabeth Hawksley (co-author of a book called 'Getting the Point'). It was all about punctuation in dialogue. There were a few readings where punctuation was missing and it sounded awful, and a few exercises of writing in punctuation. These came from the book. I learned a couple of things which I wasn't sure about. These were:

1. When a person has a lot of dialogue, say that goes into two paragraphs. You put one speech mark at the start of the first paragraph, one at the start of the second paragraph and one at the end of that paragraph.

2. When you have a quote at the end of the sentence (like the sentence in brackets above) you put the full stop after the speech mark. This has been something I've not been sure about recently, and now I know.

I found it an interesting talk. It reminded me that I don't know everything, and I needed to get out the book after all, which was in my spare wardrobe. This I did this morning, and is now with a few more reference books at the bottom of this computer desk.

So, if you're not sure about your grammar and punctuation, then buy the book.

Another goal for this year and an update on current ones

I have decided to have another goal for this year, but will give you an update on my current ones.

1. Still getting there with my 7+ children's book. Decided to change a scene and put in one that goes with the rest of the book.

2. Still getting there with my next Angel ebook, and should finish current draft by next goal-setting brunch end of this month.

3. Bird articles - have found a few children's magazines in the US that I can submit to. Have one already to post next week.  I have decided to expand my freelance writing and write about famous people with disabilities and submit to those magazines, too, and write about places in London as travel pieces. We shall see how it goes.

Now for my new goal. I was going to stay as an indie author, but after a friend of mine recently got her first book published by a publisher and going to the RNA workshop last weekend, I have now decided to be a hybrid author. I want to try and get published in adult romance with either a trad publisher (not one of the big 6) but a smaller one or a digital publisher like my friend. When I have finished Charlie, the 7+ book, I will then work on a story to send to Woman's Weekly, then I will start rewriting a novel I sent to the NWS a few years ago and make it more romantic, concentrating on the relationship between the girl and boy. I shall either send it to the NWS or straight to a publisher, depending on when I finish it as the NWS closes end of August. I still have lots of indie projects to work on. The rest of the Angel series, the last 2 Geraldine stories, 2 more mermaid stories, and the rest of the Secrets of Singleton village short stories, which should take me into next year.

So, there you have it. My goals and how they are doing, and my new one to work towards. How are you getting on?

If you want help with goal-setting and keeping them, I now have a template for goal-setting, much like the SCBWI Brunch one I get. Let me know if you want one in the comments below, and I can email it to you.

RNA workshop/retreat day on 15 Feb 2014 - and what I learnt

Last Saturday I made my way on bus to Holborn to go to the RNA London/SE workshop/retreat day. I passed where that car was smashed in by falling bricks from a building. Horrible. Feel so sorry for her family. Anyway, I got there in time to get a good seat.

It started at 10.15 with Julie Cohen and her talk about learning structure with Pixar films. I've not seen it before and thought it was great. We watched the beginning of Wall-E, and I got a new take on it. It's about a lonely robot who finds love in a deserted world of rubbish. I liked the underlying message about recycling more or the world can be like this. We also watched a clip of Finding Nemo, where the main plot and the subplot meets. This is what I learnt: plot structure is structure of the emotional arc. We were given the three act structure of the film Cars. Backstory at the start of the story can be used in the setting as in Wall-E, where we see papers on the ground about trash covering Earth. Pixar starts their films with emotional arc. They have repeated motifs eg in Wall-E, holding hands means love. The subplot - thematic plot. More plot and add to character. Cars has a circular structure where the ending reflects the start of the film - the main character is in a car race, which is how he began the story.

After Julie came Laura Longrigg and Laura Gerrard, Jean Fullerton's agent and editor. They both said that it is the voice and USP being great is what they look for. If you are a member of the NWS, you can mention this in a query letter to them. Also, add a section about you. Your background, why you wrote the story, what you like to read etc.

Then came the '10 Common Mistakes that authors make' and this is where I learnt a lot and came to a decision.
Plotting - know your characters inside and out. Never forget your readers are interested in relationships. Start at a critical point in the story. Work in any backstory subtly. Don't put in mundale details such as making cups of tea. Know your market and readership. Know your publisher requirements (I will check the few publishers I have in mind for a romance I will shortly be working on). If it has a saggy middle then the story hasn't been thought through properly. Have a satisfying ending. Make your characters likeable. The reader has to ID with them, so the story has to be believable. The hero - the reader has to desire him, and want the heroine to want him too. Understand where you want the story to go before starting or the characters won't progress. Don't make the plot entirely driven. In an edit, you can highlight the external and internal conflicts to work this out).
POV - don't head hop unless you're Nora Roberts. Tell not show. Get POV right and experience what your character is feeling. Use emotion and feeling not reportage. And get your punctuation right for speech.

What I learned from that last talk by Melanie Hilton, the NWS organiser, was to make your story believable. In the romance novel that I plan to work on later this year, I was going to have a ghost in it, but I now feel that won't be believable so what the ghost was going to do will be done by the young male neighbour, who falls in love with a librarian, who happens to be the granddaughter. I can't wait to rewrite the book now, but have two projects to work and complete before that.