Making a living from writing - the practical side

I am now back with the last of my blogs about the 'Making a Living from Writing' series. Today is about the practical side of it all with Jane Clarke and Lorna Ferguson.

Jane has put down her prices for school visits. Lorna has had people say they can't afford much. She works it out according to hours and mentions lives (sorry, couldn't read my writing there) and then she is paid for travel. Be able to price for value. You work then ask for that.  Jane now has 1/4 days for schools. One before lunch then after, otherwise if it's 9am - 1pm then they class that as half day.  Jane has had 28 visits so far this year, most of them this month as it's World Book Day etc.

How do you come to terms with doing work that comes to nothing? Jane wrote a novel first before writing shorter books. She can get other projects out of things that aren't accepted. Can come up with other ideas for publishers, Keeps note of what book is where. Her only flat-rate was for Battersea. Dinosaur Cove series bought her a car. Her figures are: Dinosaur = 4000, Cat = 2000, Gilbert = 3000, Stuck in Mud = 2000. Royalties can go up and down.

Lorna said that a few years ago she went to see Anthony Horowitz talk, and he said to diversify into other media than just writing. Lorna has turned her book into a film script but agent declined it. It is good discipline. When you monetise your writing think of other writing magazines. Features linked with fiction or experiences.  Lorna mentioned another writer to check out for tips on her blog Ali Ventures (have since checked and she is not blogging anymore due to being pregnant). You can put writing for commercial use - brochures etc. Think of your strengths.

Social media - Lorna has got business via social media for Fiction Fire. Finds it cheaper than paying ads. Only paid ad is now in Mslexia.

Books sold directly?- Jane doesn't sell directly, she gets her local Waterstones to sell them for her, and gets points put on her card with them. If she sells books herself , they don't count as proper sales.

If had to make more money - Jane would teach, and Lorna, too.  Does Jane get support from package writing? No. 6 books = £11,000 year. Working Partners have standard royalties.  Jane says that educational books don't go in libraries but print books have lots of borrows. Scores higher in PLR.

VAT? Only to pay if you earn £77,000 a year (none of us there did). Keep records. Be professional and do invoices. Jane pays accountant for records.

And that was it. It was a good talk and I was pleased to go. Reminded me to update my records.

Making a living as a writer

On Wednesday evening I went to a talk by Jane Clarke and Lorna Ferguson about making a living as a writer for children. I suppose some of this can be said for writing for adults too.

Money - Jane gets most of her income from school visits, and Lorna gets hers from teaching English.

Opportunities - Jane has an agent. It was her agent who sent her the outline for the Dinosaur Cove series, and as Jane loves dinosaurs she said yes. She tried for it and got through to the second round. As she is someone who does what edits she's told to do, she did that and got through. You can register your interest with Working Partners, whom she works with for the Dinosaur series, and Hothouse. She said that her word limit for writing for other people is 10,000. For Early Readers you must have an agent, as they come with a secrecy code.
Lorna - With her consultancy Fictionfire, she said that in theory it works but not in practice, esp if she has lots of courses to do. She has written in the middle of the night. She has fallen asleep watching the news, then wakes up and gets a second wind to write. Sets targets of words.

Making Money - How long before made money? Jane said 5 years = 8 books before she went full-time. It was working part-time in a library before that.
Lorna gave us some statistics from the Society of Authors in 2007. Then advances were no more than £5000 and in instalments in 3 parts. And then you have to earn those out. Hardback = 10% paperback = 5%. ALCS reported that median income was £4000. The top 10% of authors got more than 10% and the bottom 10% got less than 10%. (Made me think - I want to stick to being an indie author). Lorna also said that she wants to write as most do fro the freedom to write more. Said be realistic. Her main income comes from Fictionfire.

Need support - Jane said hard to answer as her husband died 11 years ago but left her life insurance so she could pay the mortgage. Lorna said she does get support from her husband as he believes in her and is behind Fictionfire. He's the first person to read her work.

I think I will continue this post tomorrow. So see you then.